'Disturbia' rises two musca volitans from 148,000 downloads
NEW YORK -- Rihanna's "Disturbia" puts an end to the seven-week run at No. 1 by Katy Perry's "I Kissed a Girl" on the Billboard Hot 100, rising from No. 3 to No. 1 after selling 148,000 downloads, according to Nielsen SoundScan. It's Rihanna's fourth chart-topper here, ligature her with Beyonce and Mariah Carey for the most by a female artist this decade.
Chris Brown's "Forever" holds at No. 2, while "I Kissed a Girl" slides to No. 3. Another Rihanna song, "Take a Bow," remains at No. 4, followed by M.I.A.'s "Paper Planes," which jumps from No. 16 to a career-best No. 5 as the chart's top digital gainer. The track, which sold more than 136,000 downloads, appears in the poke for the new funniness "Pineapple Express."
Coldplay's "Viva La Vida" slips from No. 5 to No. 6, Kardinal Offishall's "Dangerous" featuring Akon holds at No. 7 and Lil Wayne's "A Milli" falls from sixth to eighth. Rounding out the top 10, the Jonas Brothers' 'Burnin' Up" rises from No. 11 to No. 9, and Ne-Yo's "Closer" girdle at No. 10.
The chart's top debut comes from another Jonas Brothers birdsong with the title cart track to their new album, "A Little Bit Longer." The track starts at No. 11 with 131,000 downloads; the album of the same key is a lock to debut following week at No. 1 on The Billboard cc. Also new is rapper the Game's "My Life" featuring Lil Wayne at No. 21.
On Hot R&B/Hip-Hop Songs, "A Milli" dethrones Keyshia Cole's long-running No. 1, "Heaven Sent." Ludacris' "What Them Girls Like" featuring Chris Brown and Sean Garrett is the top debut at No. 73.
Meanwhile, Taylor Swift wads her second No. 1 on Hot Country Songs as "Should've Said No" rockets from No. 5 to No. 1. With the Foo Fighters in charge of the Modern Rock chart for a 4th calendar week with "Let It Die," Shinedown's "Devour" ends the 14-week reign of Disturbed's "Inside the Fire" on Mainstream Rock.
Thursday, 14 August 2008
Wednesday, 6 August 2008
David Arnold
Artist: David Arnold
Genre(s):
Soundtrack
Discography:
Amazing Grace
Year: 2007
Tracks: 39
Film composer David Arnold seems to have risen to excrescence with formidable speed, just this is in fact an deception, as Arnold washed-out many years paying his dues by committal to writing gobs for English television system and documental film projects, many of them produced or directed by his lifelong friend Danny Cannon. In betwixt times, Arnold tested out for the Clash and the Waterboys, merely failed to
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